As a technique, true fresco painting (buon fresco) is the painting of colour pigments on wet lime plaster without a binding agent, and when the paint is absorbed by the plaster, it is fixed and protected from fading. Inherent problems with frescoes for historians are their fragility, incompleteness, and artistic anonymity. In addition, at archaeological sites they are often found removed from their original settings, making them extremely difficult to date. However, frescoes can provide us with some of the most striking imagery from antiquity, and they can give a unique insight into the ordinary lives of people long ago.
All images were taken by the author and can be seen on the Ancient History Encyclopedia website.
By Mark Cartwright
Mark studied Greek philosophy with a particular focus on Plato but has since widened his interests to include all things ancient Greek. Special interests are the Minoan civilization and 5th century Classical Athens. He is also interested in ancient pottery and what these everyday objects can reveal about past lives and traditions. He is a great believer in Jacques-Yves Cousteau's maxim: "Il Faut aller voir" - we must go and look for ourselves - and hopes his photos will inspire visitors to AHE to do the same.