Boldly imagined and exquisitely written, For the Most Beautiful, a debut novel by classicist Emily Hauser, chronicles the defeat of Troy through the eyes of female characters almost entirely disregarded in Homer’s Iliad — Briseis, princess of Pedasus, and Krisayis, daughter of the High Priest of Troy. In this Ancient History Encyclopedia (AHE) exclusive, James Blake Wiener interviews Emily Hauser, asking questions as to the difficulties she faced in writing her first novel, and why ancient Troy lingers so vividly in the western imagination.
Enjoying a privileged and bucolic position on the eastern slopes of Mount Olympus, the ancient Greek city of Dion prospered for thousands of years as a sacred center for the cult of Zeus and as the gateway to Macedonia. Gods and Mortals at Olympus: Ancient Dion, City of Zeus, now on show at the Onassis Cultural Center in New York, N.Y., examines the development and trajectory of Dion, from a small rural settlement to a thriving Roman colony, through the presentation of remarkable archaeological artifacts not seen outside of Greece. In this exclusive interview, James Blake Wiener of Ancient History Encyclopedia speaks to Dr. Dimitrios Pandermalis about this exhibition and Dion’s importance in the wider Greco-Roman world.
Apollo was considered an epitome of youth and beauty, source of life and healing, patron of the civilized arts, and as bright and powerful as the sun itself. He was, arguably, the most loved of all the Greek gods. Although he was associated with many positive aspects of the human condition such as music, poetry, and medicine, the god also had his darker side as the bringer of plague and divine retribution. Most famously as the remorseless slayer of Niobe’s six sons as punishment for her boasting and as the flayer of Marsyas after his presumptuous claim to be more musically gifted than Apollo himself. Objects traditionally associated with the god include: a silver bow, a Kithara or a lyre, a laurel branch, the omphalos of Delphi, and a palm tree. These can be variously seen in the many depictions of Apollo from Archaic, Classical and Hellenistic Greece and through to Roman times. Greek Apollo
If you’re staying in Athens then you will almost certainly visit the world famous National Museum and so have your breath pleasurably taken from you as you marvel at the treasures of Greece‘s glorious past. As this stupendous collection seems to have been pillaged from every local museum across Greece you might be forgiven for thinking that those other museums must have nothing more to present than empty shelves and little cards indicating, with some apology, that said artefact has been moved to Athens. Astonishingly though, even more wonders await the more intrepid traveller, in this case just down the road in nearby Piraeus.
The mythology of the ancient Greeks is positively packed with stories involving weird and wonderful creatures. Represented on pottery, in sculpture, and in literary tradition, they typically create havoc with the best laid plans of the Greek heroes but they could also prove helpful in certain situations. Hercules, Odysseus, Theseus, Perseus, Bellerophon, and Jason all had to fight monsters which were very often a mix of other more familiar creatures or were just downright bizarre. The heroes usually won, of course, and their battles with these monsters made them seem even more heroic. The imaginative blend of animals also served to represent the disorder of both the animal and foreign kingdoms in the Greek view of the world and perhaps also represented the unfamiliar wildlife of distant lands. The triumph of Greek heroes over these terrible creatures was an entertaining metaphor for the perceived superiority of the Greek way of life, the victory of light over darkness, reason and order over chaos. You can read more extraordinary tales from Greek mythology in our article here. …