While Hadrian was visiting the province of Egypt in late 130 AD, his favorite Antinous drowned mysteriously in the Nile River. This tragic event led to the creation of a new divinity: Osirantinous, or Antinous as a manifestation of Osiris, the god who died and was reborn. One of our best primary sources for information about the new deity Osirantinous and the founding of Antinopolis, the new city created by Hadrian near the spot of Antinous’ death, is the Obelisk of Antinous, found in Rome outside Porta Maggiore at the end of the 16th century. The Aswan pink granite obelisk, which now stands in the Pincian Hill Gardens, was commissioned by Hadrian after 130 AD to honour the deceased Antinous.
Cuneiform is considered the single most significant legacy of the ancient Sumerians of Mesopotamia. It was developed c. 3500-3000 BCE, is considered the first written language created, and was used for well over 1000 years. The oldest-dated cuneiform tablets mostly contain records of business transactions. However, over the centuries, cuneiform tables covered various different topics such as affairs of state, religion, magic, history, contracts, and were used for personal and professional communication (letters). [embedyt] http://www.youtube.com/watch?v=6OC_kpFyfT0[/embedyt]
This week’s sculpture from Hadrian’s Villa is a red-marble statue of a satyr, the so-called “Fauno rosso” (red faun).
Ancient art and archaeological remains have provided archaeologists and historians today with clues to how the ancients practiced their sexuality and their overall attitude toward sex. To the causal observer, it seems the ancients were more open about their sexuality then we are today. In ancient Rome there were artworks in living rooms or studies depicting erotic images of lovers performing various sexual acts and in ancient Mesopotamia mass-produced terracotta plagues would show couples having sex. The Secret Cabinet For the Romans, sex was a part of their everyday lives, state affairs, religious rites, myths, even warfare, and featured prominently in their art. One of the most famous collections of erotic art from Roman culture is the artwork featured in the secret cabinet (gabinetto segreto). The secret cabinet collection is now part of the Naples National Archaeological Museum. It is said when King Francis I of Naples visited with his wife and daughter in 1819 he was so shocked by the contents of the collection he had them locked away. A brick wall was even …
Here is another image post for you all to enjoy, today’s topic is the Greek temples! Greek temples (naos – meaning dwelling place in reference to the belief that the god dwelt in that place, or at least temporarily visited during rituals) were places of formal worship. Each Greek community had its own sacred sites and temples which were looked after by priests.
Hi everyone, I am Jade Koekoe, blog editor of AHetc. As an end of year treat I thought I would share with everyone my 10 favourite blog posts of 2015. 10 Hidden Ancient Treasures in Caria I love learning from people who have visited a place before me, this is why Carole Raddato‘s 10 Hidden Ancient Treasure in Caria, is top on my list. Carole provides a brief history of each place on her list and details the site’s significance today. This article is a truly wonderful guide for people wanting to travel to Caria in future. Carole has also written a similar post for AHE about Provence, France.
This week’s sculpture from Hadrian’s Villa is a marble head of Antinous depicted as the god Dionysos, the closest Greek equivalent to the Egyptian god Osiris. It was unearthed in 1769 during excavations undertook by the art dealer and archaeologist Gavin Hamilton who secured it for Lord Lansdowne. The latter was an avid collector of antiquities and owned a fine collection of classical sculpture until most of it was sold and dispersed in 1930 (including the Lansdowne Amazon and the Lansdowne Hercules). Today the Lansdowne Antinous graces the “Greece and Rome” room of the Fitzwilliam Museum in Cambridge, England.
Here is another image post for you all to enjoy, today’s topic is the Art of Pompeii! Most people have heard of the city of Pompeii and the natural disaster that preserved it so well under a deep layer of ash. This city has provided an invaluable insight to the Roman world and many claim it to be the richest archaeological site in the world, because of the amount of raw data it has given scholars.
This post is part of a series of image posts Ancient History et cetera will be putting together each month. Todays post is all about ancient Mesopotamian Relief! Mesopotamia (from the Greek, meaning ‘between two rivers’) was an ancient region in the eastern Mediterranean. Surrounded in the northeast by the Zagros Mountains and in the southeast by the Arabian Plateau. Ancient Mesopotamia corresponds to today’s Iraq and parts of modern-day Iran, Syria and Turkey. Mesopotamia was a collection of varied cultures whose only real bonds were their script, gods and attitude toward women. A relief is a sculptural technique. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background material. Like many ancient cultures Mesopotamians also produced artistic relief’s featuring events, places and people of importance.
The Galleria degli Uffizi in Florence is one of the oldest and most famous art museums in the world. In addition to Renaissance masterpieces including works from Botticelli, Michelangelo and Leonardo da Vinci, the Uffizi houses one of the world’s most important collections of ancient Roman and Greek statues. The Medicis’ interest in ancient art started with the founder of the family Cosimo I de’ Medici (1519-1574) and grew over nearly four decades. The antiquities were stored and displayed in several rooms in Palazzo Vecchio and Palazzo Pitti where they could be admired by the visitors to the court. The antiquities were later transferred to the Uffizi. Most of the ancient statues and busts are displayed on the u-shaped second floor of the museum. The wide corridors are filled with numerous portraits of the members of the different imperial dynasties including those of the Nerva-Antonine dynasty. Nerva (ruled 96 – 98 A.D.)